FEATURED ESSAY How and when do artists become complicit with power, entangled in its strategies that sometimes surpass their awareness? German filmmaker Lutz Dammbeck’s perspective is unique. Perhaps it is the result of Dammbeck being part of a minority of artists that were able to leave socialist East Germany in 1986 for the Western liberal-capitalist…
“For all of us there is a twilight zone between history and memory; between the past as a generalized record which is open to relatively dispassionate inspection and the past as a remembered part of, or background to, one’s own life.” Eric Hobsbawm It is June 5, 2018 and I am preparing for a one-month…
Using the biggest, still preserved piece of the Berlin Wall, the 2017 open-air installation Beyond the Wall stretched alongside the back of the East Side Gallery, located at Mühlenstraße in Berlin-Friedrichshain. On the flip side of what forms one of Berlin’s main tourist attraction and background for innumerable selfies, Stefan Roloff’s project re-situates spectators into…
Roughly one year ago, on January 23, 2017, the latest addition to Potsdam’s museum scene opened its doors to the public: The Barberini Museum, an impeccable reconstruction of the 1770s baroque palace which was destroyed by an allied bombing attack in World War II. It is now one of Germany’s largest private art museums and…
Welcome to our new blog! Since the beginning of the Third Generation network initiative, we have connected with different scholars in the US and abroad. We are also working on new projects and have been busy with our own research. Now that the foundation for our network is set, we would like to try new…
Coming to Terms with the GDR Past: Thoughts on the Case Andrej Holm and the Student Occupation of the Institute of Social Sciences at Humboldt-Universität zu Berlin in January 2017 This article will discuss the occupation of the Institute of Social Sciences (ISW) at Humboldt-Universität zu Berlin (HU) with a focus on how students at…
